NEW VOICES FELLOWSHIP
The New Voices Fellowship is an approximately six-month mentorship program for early career television and screenwriters who are exploring the human condition in a nuanced, meaningful way. The program identifies and empowers five writers each year who are working on a 30- or 60-minute pilot or feature-length screenplay.
Building a writing career in film and television requires strong writing samples, but it also requires social access that current industry patterns do not facilitate. Humanitas recognizes the importance of mentorship and peer-to-peer relationships, and continues to tailor this program to help develop these bonds through fostering a strong community.
Through mentorship, workshops, conversations on professional development, and networking opportunities, New Voices equips writers with the confidence and tools needed to advance their careers. Fellows are paired with a mentor, invited to the Humanitas Prizes event, and receive a trophy and $7,500 stipend.
Since 2010, 74 fellows have completed the New Voices program, with many becoming showrunners, producers, directors, and staff writers. Former New Voices Fellows include Will Pascoe (Absentia), J. Holtham (Supergirl, Jessica Jones), Jeanine Daniels (Snowfall), Rashaad Ernesto Green (The Chi, Searching for Alaska), Carlito Rodriguez (Empire), Emily Silver (Finding Carter), Martín Zimmerman (Ozark), Obiageli Odimegwu (All American), Eric Anthony Glover (Tom Swift), and Eugene Ramos (The Dragon Prince).
Cick here to view the New Voices Fellowship Talent Guide, which offers individual bios, resumes, and project information on the 2023 fellows. The 2024-2025 Talent Guide will be available soon!
SUBMISSIONS & DEADLINES
The application period for the New Voices Fellowship opens on February 18, 2025.
All submissions must be made via the Coverfly page linked below.
All submissions are final.
Please carefully read our guidelines, rules, and FAQs before applying for the program!
Early Deadline: Monday, March 3, 2025 (Submission Fee: $45)
Regular Deadline: Monday, March 31, 2025 (Submission Fee: $50)
Final Deadline: Tuesday, April 15, 2025 (Submission Fee: $55)
PROGRAM COMPONENTS
Mentorship: Fellows are paired with award-winning showrunners for one-on-one mentorship focused on their project. Written notes are provided over a series of meetings. Former mentors include: Alan Ball, Jenny Bicks, Janine Sherman Barrois, Scott Z. Burns, Reggie Rock Bythewood, Steven Canals, Matt Carlson, Marissa Jo Cerar, Robb Chavis, Liz Craft, Sarah Fain, Tom Fontana, Gary Glasberg, Gary David Goldberg, Deborah Goodwin, Marc Guggenheim, Hart Hanson, Chris Harris, Felicia D Henderson, Winnie Holzman, David Hudgins, Jason Katims, Jay Kogen, Bill Lawrence, Ali LeRoi, Melanie Marnich, Justin Noble, Nancy Pimental, Rashad Raisani, Robin Schiff, David Shore, Charise Castro Smith, Patrick Sean Smith, Robin Swicord, Pam Veasey, Ligiah Villalobos, Ben Watkins, and David Zuckerman.
Conversation & Workshops Series: The Humanitas staff and the New Voices Fellowship Program Advisor invite fellows to join a series of conversations and workshops focused on the most pressing issues facing emerging television and screenwriters. Topics have included the art of the pitch, general meetings, networking, representatives, “branding” yourself as a writer, the guilds, first jobs, career longevity tips, and more. Fellows are also encouraged to attend Humanitas public programming efforts like Industry 101 and participate in a mock writers’ room near the conclusion of the fellowships.
Professional Development & Networking: In addition to the community cultivated through the New Voices Conversation and Workshops Series, New Voices aims to present fellows with at least one networking opportunity per year. Once the New Voices Fellowship has concluded, the fellows’ creative materials and contact information are collected in the New Voices Fellowship Talent Guide and distributed to the Humanitas agents and managers network. New Voices Fellows also receive invitations to community events throughout the year.
Personal Support: Throughout the fellowship period, New Voices Fellows receive support from the Program Advisor and Humanitas Staff, primarily the Program Manager. The Program Advisor provides career and mentorship-related guidance, while the Program Manager oversees the fellowship’s calendar and logistics, and checks in weekly via a Friday Email.
PROGRAM BENEFITS
Humanitas Talent Guide: Once the New Voices Fellowship has concluded, the fellows’ creative materials and contact information are collected in the New Voices Fellowship Talent Guide and distributed to the Humanitas agents and managers network.
UCLA Extension Writers’ Program: UCLA Extension Writers’ Program will offer each fellow one UCLA Extension Writers’ Program course. UCLA Extension Writers’ Program staff will work with fellows to identify courses that best suit the needs of the fellows. The UCLA Extension Writers’ is one of the most prestigious creative writing and screenwriting continuing education programs in the nation. Their open admissions policy and supportive community ensures that all students are inspired and guided to do their best work. Their curriculum includes 400 annual writing courses, offered both onsite and online, taught by a diverse corps of 200 published and produced professionals.
The Black List: The Black List is proud to offer New Voices Fellows one free month of hosting and two free evaluations of their projects on blcklst.com.
Script Anatomy: Script Anatomy will provide fellows with a private version of their Online Rewrite Challenge, a 14-day step-by-step process to help writers rewrite and polish their scripts through daily lessons, tools, examples and assignments. Fellows will meet with Script Anatomy staff for a group mid-week check-in, and again at the end of the challenge. Access to a tailored selection of Script Anatomy On Demand Workshop recordings will also be provided. Script Anatomy is the premier television and feature writing school, equipping screenwriters with a proven, actionable process to develop, write, rewrite, and polish their work. Our industry-tested tools and methodology have helped hundreds of writers get staffed at every level, sell pilots and features, and become Creators and Showrunners. With over 45 working writer instructors, Script Anatomy offers unmatched industry expertise and a proven track record of success. Our method has been taught at the Disney ABC Writing Program, Writers Guild of America, Onyx Collective, Warner Media Access Program, Austin Film Festival, Producers Guild of America (PGA) Fellowship Program, Hugo House, Carleton College, and more. Learn more at scriptanatomy.com.
NFMLA: New Voices Fellows will be awarded 1-year of Rising Creator Memberships with NewFilmmakers Los Angeles (NFMLA).
Michael Wiese Productions (MWP): MWP is gifting each 2025 fellow a title of their choosing from the MWP catalog. An internationally acclaimed publishing company serving emerging, as well as established, filmmakers, MWP has published over 200 books, over 65 titles have been translated into 25 different languages, are used in over 700 film courses, and in the Hollywood studios and by emerging filmmakers. MWP also hosts a series of classes, interviews, and essays on their sister site The Future of Story.
Canva: Canva is proud to offer New Voices Fellows Canva Pro subscriptions. Launched in 2013, Canva is the world’s leading all-in-one platform for visual communication and collaboration. Built to empower everyone to design, the company serves the creative and design needs of enterprises, small businesses, consumers, and students in more than 190 countries worldwide.Whether you’re a novice taking your first steps in design, or a creative professional seeking powerful tools, Canva ensures users have what they need to transform an idea into something beautiful. Underpinned by the world's most comprehensive library of designer-made content, Canva is powered by a suite of products and proprietary AI tools which elevate how individuals and teams create, collaborate, and communicate with ease. More information on Canva can be found at canva.com/entertainment.
Professional Headshots: Humanitas will coordinate a photoshoot for fellows to facilitate the creation of professional-grade photos for their use during and after the fellowship.
Stipend: Each fellow receives a $7,500 stipend paid in two installments, one-half at the commencement of the fellowship and the second half upon its completion.
Humanitas is grateful to the companies and organizations who have agreed to partner with us to support emerging writers! Check back for updates as we sometimes add partners throughout the year.
Components and benefits are subject to change. If you’re a company or organization that would like to be considered for program partnership, please email info@humanitasprize.org with “Program Partnership” in the subject line.
NEW VOICES FELLOWSHIP CALENDAR:
February 18, 2025: Submissions Open
March 3, 2025: Early Deadline
March 31, 2025: Regular Deadline
April 15, 2025: Final Deadline
June 9, 2025: Semifinalist Announcement
July 23, 2025: Finalist Announcement
August 11, 2025: Announcement of New Voices Fellows
September 2025: New Voices Fellows recognized at Humanitas Prizes event
September 2025 - March 2026: Fellowship period
SUBMISSION MATERIALS:
Original 30- or 60-minute pilot, or feature-length screenplay no longer than 120 pages
Logline
Brief synopsis (approximately 250-300 words)
Supplementary materials: bio, resume, and a short artist statement that speaks to the applicant's professional aspirations and why they felt compelled to write the submitted project. The artist statement and bio should be 1 page, double-spaced. The Resume should be no more than 2 pages.
IMPORTANT DETAILS:
The name(s) of the applicant(s) should not appear on the submitted script’s title page. At our request, Coverfly will automatically remove your title page for you if you include one when submitting to our programs.
All submissions are final. No revised or late material will be accepted.
Applicants are strongly advised to only submit one application and script per year.
Scripts must be an original work. Adaptations or re-imaginings of true events or fictional stories are acceptable; by submitting you acknowledge you have secured all rights needed to adapt any material.
Applicants for Humanitas programs may not submit literary material created through the use of generative AI.
The assessment to determine finalists weighs the quality of the applicant’s script, the script’s relevance to Humanitas mission, and the quality of the applicant’s supplementary materials. All finalists are interviewed via Zoom. These meetings cover the submitted project, career aspirations, and play an essential role in determining who is selected for the annual New Voices Fellowship cohort.
Should a writing team be selected for the fellowship, the stipend will be split evenly amongst members of the team.
While the New Voices Fellowship accepts materials from all writers, writers with diverse backgrounds and social identities historically underrepresented in media are highly encouraged to apply.
ELIGIBILITY DETAILS:
Applicants must be 21 years of age or older by August 1, 2025.
Applicants do not need to be a U.S. permanent resident and/or citizen but must be residing in the United States. Humanitas is unable to provide Visa support for writers.
Applicants must be available to participate actively in all dimensions of fellowship programming, including mandatory workshops, virtual gatherings, and virtual public programs.
The New Voices Fellowship is for emerging television and screenwriters who meet all of the following criteria:
Do not have a manager or agent representing them in the area of writing for film and television,
have not been previously staffed as a writer in a scripted television series’ writers room, and
have not otherwise received payment for produced scripted feature film or television writing services prior to the submission period.
Writers paid for options on unproduced scripts or for writing services on unproduced treatments, or on unproduced projects outside the WGA’s jurisdiction and below WGA-established minimums should contact Humanitas with details on their situation to determine eligibility.
Self-produced and self-financed projects do not impact eligibility for the fellowship. Writers with questions on this should contact humanitas with details on their situation to determine their eligibility.
Writing teams with a member who, as an individual writer, has produced credits will remain eligible so long as the writing team applying to the program does not have produced credits. The individual writer with credits, however, would be ineligible if applying on their own.
Former semifinalists and finalists are eligible to reapply so long as they meet all other criteria. Former semifinalists and finalists are advised that all application materials must have undergone notable revisions, including and especially the script sample if it is the same project as previously submitted.
Previous recipients of the Carol Mendelsohn College Drama Award and David and Lynn Angell College Comedy Award are eligible for the New Voices Fellowship so long as they meet all other eligibility criteria.
Former New Voices Fellows are not eligible to reapply.
Current Humanitas staff and interns are not eligible for the fellowship.
OUR PROCESS
Based on the submission patterns of the last several years, Humanitas receives approximately 1,000 applicants per program cycle.
The New Voices Fellowship competition begins with a two-round reading process powered by Coverfly, during which Coverfly readers consider the submitted scripts at least once. Scripts are anonymized; readers do not know the identity of the writer.
Coverfly curates a group of readers to support the Humanitas New Voices Fellowship and College Screenwriting Awards annually. Coverfly has gathered 85 readers from across the United States. These readers have a diverse set of experiences and backgrounds. 61% do not identify as white, 50% identify as either female or non-binary, 5% are over the age of 50, 19% of readers identify as LGBTQ+, and 2% of readers identify as disabled.
Coverfly readers have or are currently working as development execs, consultants, critics, story editors, authors, and in other positions at companies like Disney, Amazon, Blumhouse, TBS, Warner Bros., FOX, Lionsgate, HBO, Paradigm Talent Agency, Netflix, Magnolia Entertainment, StudioCanal, Paramount, and STARZ, as well as competitions like the Austin Film Festival, Slamdance, The Tracking Board, Screencraft, and Launchpad.
Coverfly compensates readers at an average rate of $19-21/hour based on experience with bonuses available for quality and efficiency.
Following the Coverfly reading process, Humanitas staff reviews the top scoring applicants, their submitted scripts, corresponding Coverfly reader notes, and supplemental materials in order to select semifinalists.
For the semifinal and final rounds, Humanitas staff curates reading committees that oversee the review of approximately 25 semifinalists and 10 finalists to determine the five fellows, who represent the approximate top 0.5% of applicants. The semifinal committee consists of writers, assistants, and others with industry and/or organization experience.
The final committee consists of Humanitas staff, the New Voices Fellowship Program Advisor, managers who have experience nurturing writers in the early stages of their careers, and executives who have experience developing projects. All members of reading committees are offered an honorarium in recognition of their time and expertise.
All judges are given an orientation sheet describing Humanitas and its mission, and a scorecard which asks them to evaluate scripts in the following areas: plot, characters, concept, structure, dialogue, originality, writing style, connection to the Humanitas Mission, and an overall impression.
To learn more about what we look for in a script, you may wish to read this article on our website about the art of screenwriting and exploring the human condition.
NEW VOICES PROGRAM PARTNERS
2024 NEW VOICES FELLOWSHIP PROGRAM ADVISOR
Emmylou Diaz is a first-generation Colombian-American writer who got her start on the critical smash CW dramedy Jane the Virgin. She joined the fledgling staff as writers’ assistant and was quickly hand-picked by the showrunner to co-write and produce two freelance episodes during the show’s award-winning first season. A promotion to staff writer for season two of Jane the Virgin soon followed, and since then Emmy has launched a career working for some of the most acclaimed, prolific creators and showrunners in television. She works regularly as a Co-Executive Producer in television where her most recent credits include an untitled thriller for Amazon and The Watchful Eye for Freeform/Hulu. Other staffing credits include the hit Bravo dramedy Girlfriends’ Guide to Divorce, Charmed (CW), and the Shonda Rhimes drama Station 19, part of the beloved Grey’s Anatomy universe.
Emmy is an actress-turned-writer who received her MFA in Acting from the American Repertory Theatre Institute at Harvard University. She also studied at Oxford University (Exeter College), and Williams College, where she graduated with honors. She is a recipient of the NHMC Television Writers Fellowship, a diversity program sponsored by NBC and ABC.
She was born in New York City.
NEW VOICES FELLOWSHIP SUPPORT
New Voices Fellowship is supported through various fundraising efforts, including proceeds from The Humanitas Prizes event. The New Voices Fellowship is funded in part by the California Arts Council, a state agency, and by the Snap Foundation, a 501(c)3 organization, and a donation from STARZ #TakeTheLead. New Voices Fellowship submission fees are used to cover administrative costs.
QUESTIONS?
Please visit our FAQ, email us at info@humanitasprize.org or by using the contact form below.